FEATURES

Spike Lee's Inside Man: Barry Alexander Brown Has Been Editing for the Director Since His Debut Feature
by Kevin Lewis

School Daze: Leander Sales Graduates from Cutting Room to Classroom
by Kevin Lewis

Method Man: Jay Rabinowitz Finds that the Film Tells Him How to Edit It
by Rob Feld

Stranger Than Paradox: The Unusual Filmmaking Practices of Jim Jarmusch
by Rob Feld

The Fine Print: Whether You Work Low-Budget or Indie, You Need the Correct Contract
by Catherine Cusimano and Annie Ballard

Post Modern Romance: Albert Brooks Not Only Played an Editor, He Loves the Process
by Angela Barton

Sounds Independent: New York Mixers, Editors and Supers Rise to the Occasion to Work with Emerging Filmmakers
by Michael Kunkes

The Power & the Story: Indie or Not, the Screenplay's the Thing for Story Analysts
by Michael Kunkes

Color Me Corrected: 3cP Program Offers a Unified Image Control Standard from Production to Post
by Michael Kunkes