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This past October 6 marked the official opening of the Guild’s new office for our members and staff. The Fall quarterly membership meeting was a catered affair, mixing business with pleasure. Assistant Executive Director Paul Moore gave a report on local concerns, including news about the New York State and City tax incentive program written about by Louis Bertini in the previous issue of this magazine. Moore also talked with members about a Local 700 initiative to ensure that members working under agreements are being fairly compensated for overtime worked. He told us that letters explaining this initiative have gone to all producers and labor relations executives with whom we have contracts, warning them about possible violations. He further told us that a major feature currently in post-production in New York is being very closely monitored as a test case, and that he has held meetings both with members on the crew and producer representatives.
One of the concerns of the Eastern Region Board and myself is that members are often too shy when it comes to reporting possible contract violations to the union. This might be a factor of misguided self-interest, fear of employer retribution, fear of not being rehired by the employer in the future or simply ignorance of the contents of their agreements. When unresolved dissatisfaction in the cutting room is allowed to continue, it can make us unhappy at work and in other aspects of our life. Union agreements are written to allow us to earn a fair wage and benefits commensurate with our talents. The idea is that in return for professional service, which hopefully will enable the producer to make a profit on investment, our members are able to earn enough money and have enough time off to lead a satisfying lifestyle, have a decent place to live, raise a family if they so desire, etc. Protections are written into our agreements so that this basic idea is not abused. A benefit to the employer is that over the long term, this encourages the development of a skilled labor pool that can be called upon again and again for reliable and creative work. It is imperative that all members stand up for themselves and support the union and the hard-won agreements that have been written to protect us! Producers are not ignorant of the content of documents they have signed. Sometimes they just have to be reminded. Please allow the union to be a buffer between you and your employer when you feel your rights in the workplace are being abused. In another report to the membership, Board member Laura Congleton gave an update on efforts to fund and equip the training room, and said that certain hardware systems and software applications are available for individual lab time, including Final Cut Pro, Adobe Products and Avid. We are offering personal unsupervised lab time or lab time with an expert on call to answer your questions. Members may also schedule one-on-one training with an instructor to cover specific areas where they would like to gain expertise. Please call Office Manager Sandy Fong-Ging (ext. 201) or Field Representative Annie Ballard (ext. 204) for the latest news and to reserve your time to work and learn. After the meeting, a lovely buffet dinner was served by Bubba’s, our nearby comfort food landmark. Besides the hard work of the staff to get the workplace “right,” many thanks go to Board members Congleton and Peter C. Frank, who volunteered many hours of consultation with the architects and contractors to ensure it was put together just the way we wanted. Adobe Products Seminar Well Attended If any member has an idea for a seminar he or she would like to attend or teach, please let us know. Congleton put this seminar together, with assistance from Ballard. We will announce future seminars and events via e-mail, so make sure our office manager has your e-mail address in her database. Holiday Party Martin Levenstein, a Picture Editor member,
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