Features
The View From The Cutting Room Ceiling:
Alan Heim on "The Notebook" -- July / August, '04
The Art of the Mix -- May / June, '04
Welcome to Mooseport -- March / April, '04
Zach Staenberg on The Matrix Trilogy -- January / February, '04
Master and Commander: The Far Side of the World -- November / December, '03
Hulk -- July / August, '03
Gangs of New York -- Jan/Feb, '03
Kingpin -- Nov/Dec, '02
Enigma -- Mar/Apr, '02
The Shipping News -- Jan/Feb, '02
Creative Challenges
Advice When Cutting Overseas -- September/October, '04
Cutting Inflight Movies -- July/August, '04
Worldizing Sound -- March/April, '04
The Evolution of the Film Mixing Console -- January/February, '04
Moving Up -- January/February, '04
First Cut: The Great Train Robbery -- September/October, '03
Oscars 2003 | Invisible Art Seminar -- May/Jun, '03
A Reader's Thesaurus -- May/Jun, '03
Editors & Assistants - A Status Report | Guild Mentoring Seminar -- Sep/Oct, '02
Oscars 2002 | Invisible Art Seminar -- May/Jun, '02
So You're Editing A Visual Effects Film? -- Sep/Oct, '01
Oscars 2001 Introduction | Invisible Art Seminar -- May/Jun, '01
Oscars 2001 -- May/Jun, '01
Oscars 2000 -- Mar/Apr, '00
Tail Pop
Peter Berkos -- September / October, '04
Dede Allen -- July / August, '04
A John Martinelli Clip -- May / June, '04
The 2nd Digital Revolution
NAB 2003: Video | Audio | Digital Cinema -- July/August, '03
Lightworks Redux -- May/Jun, '03
AES 2002 -- Jan/Feb, '03
Digital Hollywood 2002 -- Jan/Feb, '03
HD is Here Now … Not! -- Nov/Dec, '02
Digital Distribution -- July/August, '02
Preparing for Digital Cinema -- July/August, '02
NAB 2002: Video | Audio | Digital Cinema -- July/August, '02
Digital Intermediate For Film -- May/Jun, '02
The Mothman Prophecies - A No-Compromise Cutting Room
Without Film -- Mar/Apr, '02
Avid World East -- Mar/Apr, '02
Remote Collaboration -- Jan/Feb, '02
Hi Def Grows Up - Editing How High -- Jan/Feb, '02
Avid Version 10 - A First Yeat Status Report -- Nov/Dec, '01
Avid Shared Storage | A Shared Storage Glossary -- Nov/Dec, '01
Competition Returns to Hollywood -- Sep/Oct, '01
DV Filmmaking -- July/August, '01
'The Anniversary Party' - A Technical Perspective -- July/August, '01
NAB 2001: Overview Floor Report -- July/August, '01
Magless Dailies -- July/August, '01
Final Cut Pro & FilmLogic Seminar
Final Cut Pro Moving into the Mainstream -- Mar/Apr, '01
The Logic Behing FilmLogic -- Mar/Apr, '01
New Version of EDL Manager Handles 24P -- Mar/Apr, '01
The Changing Face of Audio Post-Production -- Sep/Oct, '00
24P Primer
Part 1 -- May/Jun, '00 Part 2 -- July/August, '00
NAB Report -- May/Jun, '00
Got The Urge To Converge? -- May/Jun, '00
Editing Through The Internet -- May/Jun, '00
Assistants Focus on the Future -- May/Jun, '00
Yahoo/Internet Life Online Film Festival -- May/Jun, '00
Editing & Mixing in the 21st Century -- Jan/Feb, '00
Sound: > Dave...I Feel Much Better Now.
Picture: Should I Be Worried About That Kid With The iMac DV?
Assisting: The Assistant Editor's New Challenges
Three Award Winning Films: "A Place in the Sun", "Who Framed Roger Rabbit",
"Unforgiven" -- Directory 2000
The Men Who Made the Monsters -- Nov/Dec, '99
The Work of a Good Editor Does Not Reveal Itself Directly... -- July/August, '98
Does Anyone Know What The Editor Does? -- July/August, '98
Designing A Movie For Sound -- May/June, '98
TV Academy Holds Seminar On Editing -- Nov/Dec, '97
Editors on Public Radio -- Nov/Dec, '97
A Technical Director's Perspective -- Sept/Oct, '97
Museum of Television and Radio -- Sept/Oct, '97
What Directors & Others Say About Editors -- June, '97
What is a Technical Director? -- May/June, '97
Advice to a Novice Editor -- Jan/Feb, '97
Editing Panel at San Luis Obispo Festival -- Jan/Feb, '97
What Do Directors Look For In an Editor? -- Mar/Apr, '96
What Do Editors Look For In an Assistant? -- Nov/Dec, '95
The Editing of Hitchcock's Psycho
Psycho, Background of the Movie -- Directory 96/97
Interview: Mary Tomasini -- Directory 96/97
Interview: Terry Williams & Danny Greene -- Directory 96/97
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