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Pierce Brosnan, Academy Award
Winner
Jamie Selkirk and Julianne Moore |
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Academy Award Winning Sound
Editor Richard King |
Academy of Arts and Sciences
The 76th Annual Academy Awards took place at the
Kodak Theatre in Hollywood on Sunday, February 29th, nearly a full
month earlier than in the past, with voting taking place amid a building
controversy over Academy screeners.
This year’s show, carried by ABC-TV nationally, was governed by a five-second
delay, prompted by the recent Janet Jackson/Super Bowl incident.
First time Academy Awards show producer Joe Roth kept the emphasis
on top stars to present awards in all categories this year, including
those awards of most
interest to the Guild – film editor, sound editor and sound mixing.
This year, New Zealand filmmakers dominated the show with an unprecedented
11
for 11 Oscars, claiming a clean sweep for “Lord of the Rings: The Return
of the King,” which tied “Titanic” and “Ben Hur” with
most wins ever in the Academy’s history. It was noted by the major national
news media that Oscar voters had decided to reward the “Lord of the Rings” motion
picture trilogy and not just one film. So, it was incredibly impressive that
the Academy elected to present Oscar statuettes to “Lord of the Rings” in
two categories of special note to the Editors Guild – in film editing and
in sound mixing.
The winner in the film editing category, Jamie Selkirk, worked on the “Lord
of the Rings” trilogy for six grueling years. The best sound mixing crew
included three-time Oscar winner and Editors Guild member Christopher Boyes,
who worked with New Zealanders’ Hammond Peak, Michael Semanick and Michael
Hedges. The sound editing award went to Richard King for his work on “Master
and Commander: The Far Side of the World.”
It was a great year for the
movies, thanks to those who continue to be committed to giving 110% to the
creation of quality films.
| The Winners Were: |
Best Film Editor
Jamie Selkirk
Lord of the Rings:
Return of the King |
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Best Sound Mixing
Christopher Boyes, Hammond Peak,
Michael Semanick, Michael Hedges
Lord of the Rings:
Return of the King |
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Best Sound Editing
Richard King
Master and Commander:
The Far Side of the World |
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A.C.E. Golden Eddie Flimaker
of the Year
Gary Marshall |
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A.C.E. Lifetime Achievement
Award-winner
John Martinelli |
American Cinema Editors
The 54th Annual American Cinema Editors (A.C.E.)
Eddie Awards took place February 15th in the International Ballroom
of the Beverly Hilton Hotel in Beverly Hills. The black-tie gala drew
a sellout crowd of 1,000-plus to a formal sit down dinner.
A.C.E. president Tina Hirsch, now serving in her final term at the
helm of the organization, introduced the awards and acknowledged
the A.C.E. officers and
board members for their support during the past four years of her tenure. “It
was a warm, funny, heartfelt evening,” she said. “I’d like
to congratulate all the editors who’ve been nominated…Your work has
been judged exceptional by a vote of your peers and I’m sure we’d
all agree…each one of you is a winner.” Hirsch also acknowledged
the assistant editors, "who, at their best, are our equals in loyalty–and
passion for excellence.”
The 2004 event was hosted by Larry Miller, an actor/comedian/writer.
Garry Marshall received the A.C.E. Golden Eddie Filmmaker of the
Year honor. The Lifetime Achievement
Award was presented to John Martinelli. A.C.E. (see related story on page 58)
and Donn Cambern. The ACE Robert Wise Award to Hollywood Reporter writer Sheigh
Crabtree. A student film editing award was presented, as well.
This year, “Lord of the Rings: Return of the King” (edited by Jamie
Selkirk) and “Pirates of the Caribbean: The Curse of the Black Pearl” (edited
by Craig Wood, Stephen Rivkin, A.C.E. and Arthur Schmidt) took top film honors.
All award-winners received an impressive gift bag valued at $2,000.
The event was a well-produced, top notch show that rivals any great
awards show in town.
| The Winners Were: |
Best Edited Feature Film (Dramatic) Jamie Selkirk
Lord of the Rings: Return of the King |
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Best Edited Feature Film
(Comedy or Musical)
Craig Wood, Stephen Rivkin, A.C.E.,
and Arthur Schmidt
Pirates of the Caribbean:
The Curse of the Black Pearl |
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Best Edited Miniseries or Motion Picture
for Commercial Television
Mark Conte, A.C.E.
Caesar – Part 2 |
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Best Edited Miniseries or Motion Picture
for Non-Commercial Television
John Bloom & Antonia
Van Drimmelen
Angels in America |
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Best Edited One-Hour Series
for Television
Scott Powell, A.C.E.
24: 10PM - 11PM |
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Best Edited Documentary
Yana Gorskaya
Spellbound |
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Best Edited Half-Hour Series for Television
Peter Chakos
Will & Grace: Last Ex to Brooklyn |
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Best Student Editing
Thomas Berger
Sheridan Institute of Technology (Ontario, Canada) |
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C.A.S. Winner
Ron Bochar |
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C.A.S. President's Award -winners
Tom Regal, Ned Price, Leon Vitali and Chris Jenkins |
Cinema Audio Society
The Cinema Audio Society presented its 40th annual
Awards Gala in the Crystal Ballroom in Los Angeles’ Biltmore
Hotel on February 21st. Before an appreciative crowd of some 400 attendees,
comedian and“Saturday Night Live” alumnus Gary Kroeger
was the energetic emcee and C.A.S. President Richard Lightstone was
the evening’s program host.
Awards for outstanding achievement in Sound Mixing, Feature Films and Television
were presented, and for the 11th straight year, the C.A.S. Awards proved to be
a good divining rod for the Oscars, with identical choices for the five nominees.
In addition, Chris Jenkins, Ned Price, Tom Regal and Leon Vitali shared
the C.A.S.
President’s Award for their work in the audio restoration of seven classic
films that comprise the bulk of Warner’s “Stanley Kubrick Collection.”
The centerpiece of the evening was an elaborate tribute to Gary R.
Rydstrom,
this year’s winner of the C.A.S. Career Achievement Award. Rydstrom, who
left Skywalker Sound in February to become a full-fledged director at Pixar,
was paid tribute by co-workers and mentors, alike.
There were taped congratulations, as well, from Steven Spielberg, George
Lucas,
Sound Designer Ben Burt and John Lasseter.
Ron Judkins called Rydstrom, “The man whose work is responsible for that
intangible but very important and real element that completely galvanizes our
imagination.”
Accepting the award, Rydstrom bade farewell to Skywalker Sound, calling
it “an
inspiring place to work…with a spirit I love and which will always be a
big part of me.” He also thanked his wife, Cindy, for putting up with the
long hours. He advised the gathering, “Don’t tell directors, DPs
and film editors how much fun this job is, or they’ll all want to do it.”
| The Winners Were: |
Sound Mixing for a Motion Picture
Re-recording Mixers: Paul Massey, D.M. Hemphill
Production Mixer: Arthur Rochester
Master and Commander:
The Far Side of the World |
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Sound Mixing for a Television
Movie or Miniseries
Re-recording Mixers: Lee Dichter, C.A.S.
Production Mixer: James Sabat
Angels in America – Part 2 |
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Sound Mixing for a Television Series
Re-recording Mixers: Michael Quinlan, C.A.S., Kenneth Kobett, C.A.S.
Production Mixer: Bill Gocke
24 – “5PM – 6PM” |
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Sound Mixing for a Television
Variety, Music Series or Special
Re-recording Mixers: Gary Bourgeois, C.A.S., and Tateum Kohut
Production Mixer: Stuart Pearce, C.A.S.
The Blues: “The Road to Memphis” |
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M.P.S.E. Winners
Gloria D'Allessandro, MPSE, Victoria Rose Sampson, Jessica Gallavan, Teri Dorman,
Ulrika Akander, Karen Spangenberg and Lisa J. Levine. |
Motion Picture Sound Editors
The Motion Picture Sound Editors presented its 51st
annual awards ceremony and banquet in the Los Angeles Ballroom of the
Century Plaza Hotel on Saturday, February 28th.
Over 870 people gathered to party with entertainers “David Garfield and
the Cats,” dine on Porcini-crusted Prime Rib Filet and Arctic Char, and
oh yes, to celebrate the awarding of the annual Golden Reel Awards in a generally
boisterous spirit of camaraderie.
The Golden Reel Awards recognize the contributions of the entire sound
crew, and this year was no exception. Eighty-one statuettes were
awarded in 19 categories,
recognizing not only supervising sound editors, but also dialogue editors, ADR,
Foley artists and music editors in a range of projects that included traditional
television and feature categories, as well as animation, computer entertainment,
and special venue films.
The feature film awards were handed out by three-time Oscar winner
and MPSE Past President Charles L. Campbell, and by four-time Oscar
winner Gary L. Rydstrom.
Multiple winners were Miramax and Disney. Miramax won for Sound Editing
in a
feature film for “City of God;” and Music Editing in a feature film
for “Cold Mountain.” Disney took home an award for Dialogue Editing
in a feature film for “Pirates of the Caribbean: The Curse of the Black
Pearl,” and Music Editing in an animated feature for “Finding Nemo.”
HBO with three awards, and Nickelodeon with two, were the biggest television
winners.
A pre-banquet event was a special student screening, held on February 27th of
all five nominated films for the Verna Fields Award in Sound Editing for Student
Filmmakers. Veteran director Arthur Hiller presented the MPSE’s Career
Achievement Award to retired Editors Guild member Don Hall, whom he praised as “the
Guru of sound editing” for dedication to his craft of over 100 film and
television productions.
| The Winners Were: |
Best Sound Editing in Feature
Film: Sound Effects/Foley
Master and Commander:
The Far Side of the World
Supervising Sound Editor: Richard King
Supervising Foley Editor: Christopher Flick
Sound Effects Editors:
Michael Mitchell and Hamilton Sterling |
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Best Sound Editing in Feature
Film: Dialogue and Automated
Dialogue Replacement
Pirates of the Caribbean:
The Curse of the Black Pearl
Supervising Sound Editors:
George Watters II, MPSE, Christopher Boyes
Supervising Dialogue Editor: Teri Dorman
Supervising ADR Editor: Jessica Gallavan
Dialogue/ADR Editors: Ulrika Akander, David Arnold, MPSE, Gloria D’Alessandro,
MPSE, Lisa J. Levine, Victoria Rose Sampson, Karen Spangenberg |
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Best Editing in Feature
Film: Music, Musical
A Mighty Wind
Music Editor: Fernand Bos, MPSE |
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Best Editing in Feature
Film: Music, Feature
Cold Mountain
Music Editor: Fernand Bos, MPSE
Eric De Vos, Laurent Quaglio |
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Best Sound Editing in Feature
Film: Animated Music
Finding Nemo
Music Editor: Bill Bernstein |
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Best Sound Editing in Feature
Film: Foreign
City of God
Supervising Sound Editors:
Martin Hernandez, Roland N. Thai, MPSE
Supervising Dialogue Editor:
Alessandro Laroca |
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Best Sound Editing in Television:
Long Form, Sound Effects
And Starring Pancho Villa As Himself
Supervising Sound Editors:
Geoffrey G. Rubay, MPSE, Zack Davis, MPSE
Sound Editors:
Tony Lamberti, MPSE, Dave Williams, Karen Vassar, Bruce Tanis, MPSE, Carey Milbradt |
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Best Sound Editing in Television:
Long Form, Music
The Music Man
Music Editor: Joanie Diener, MPSE |
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Best Sound Editing in Television:
Episodic, Music
American Dreams
Music Editor: Maurico Balvanera |
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Best Sound Editing in Television:
Long Form, Dialogue and Automated
Dialogue Replacement
And Starring Pancho Villa As Himself
Supervising Sound Editors:
Geoffrey G. Rubay, MPSE, Zack Davis, MPSE
Dialogue/ADR Editors:
Lou Kleinman, Dave Williams |
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Best Sound Editing in Television:
Episodic, Sound Effects
CSI: Crime Scene Investigation
Supervising Sound Editor:
Mace Matiosian, MPSE
Sound Designer: David Van Slyke |
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Best Sound Editing in Television:
Episodic, Dialogue and Automated
Dialogue Replacement
Six Feet Under
Supervising Sound Editor: Bob Newlan
Dialogue/ADR Editors:
Helen Luttrell, Patrick Hogan,
Sonya Henry, Jane Boegel, Jason Lezama |
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Best Sound Editing in Television:
Animated Sound
The Adventures of Jimmy Neutron Boy Genius
Supervising Sound Editors:
Gary Falcone, Jason Stiff, Paul Menichini
Supervising Foley Editor: Jeff Kettle
Sound Effects/Foley Editor: Gregory Cathcart
Dialogue Editor: Michael Petak |
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Best Sound Editing in Television:
Animated Music
Spongebob Squarepants
Music Editor: Nicolas Carr |
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Best Sound Editing
Direct to Video
Bionicle: Mask of Light
Supervising Sound Editors:
Timothy J. Borquez, MPSE, Roy Braverman
Supervising Dialogue Editor: Matt Brown
Music Editor: Timothy J. Borquez, MPSE
Sound Editors:
Tom Syslo, Eric Freeman, MPSE,
Jeff Hutchins, Brian F. Mars,
Gordon Hookailo, Paul Menichini,
Jason Freedman, MPSE, Daisuke Sawa,
Morgan Gerhard |
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Best Sound Editing
Computer Entertainment
T3: Rise of the Machines
Supervising Sound Editors: Peter Zinda,
Scott Martin Gershin, MPSE
Supervising Dialogue/ADR Editor:
Gregory J. Hainer, MPSE
Music Editor: Timothy J. Borquez, MPSE
Sound Editors:
Pam Aronoff, Bryan Celano, Lisle Engle,
Glynna Grimala, R. Dutch
Hill, Tom Ozanich |
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Best Sound Editing
Special Venue
Top Speed
Supervising Sound Editor:
Andrew DeCristofaro, MPSE
Supervising Foley Editor:
Nancy Kyong Nugent, MPSE
Supervising Dialogue Editor: Bob Stewart
Sound Editors:
Michael Payne, Stephen P. Robinson, MPSE,
Kim Secrist, Nancy Kyong Nugent, MPSE,
David Esparza
Music Editor: Daniel May |
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Verna Fields Award in Sound
Editing for Student Filmmakers
Teratoma
Australian Film, TV and Radio School
Sound Editor: Manuel Holihan |
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Copyright © 2003, All Rights Reserved, The Motion Picture Editors
Guild, IATSE Local 700
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