EDITORS GUILD MAGAZINE
January-February 2008 : Volume 29, Number 1
![]() On the Cover: Director Francis Ford Coppola, left, and editor/sound editor/re-recording mixer Walter Murch at the Rome Film Festival in October 2007 Photo by Franco Origlia/Getty Images |
SPECIAL SECTION:
Tribute to Dede Allen, ACE:
2008 Service and Fellowship Award RecipientDEDE'S DEVOTEES
Some Words from Her AdmirersThe Motion Picture Editors Guild's Fellowship and Service Award
FEATURES
My Liar: A Novel Approach to Editing
by Rachel ClineOscar Caliber: Which Films Are?
by Michael KunkesCOVER STORY: Fog City Mavericks:
Francis Ford Coppola & Walter Murch
by Bill DesowitzThe Changing Jobs of Recordists
by Michael Kunkes
Like a Surgeon
Operating with Avid's Open-Standard Codec
by Patrick ReadyThe Delivery Man
Compressor 3 Can Handle All Media Types
by Doug Luberts
Three Independent Spirits
Jay Rabinowitz, James Thomas and Christopher Tellefsen on Editing
by Dan Ochiva photos by John CliffordIt's an HD World After All
New York Conference Reveals Reality of Today's Productions
by Michael Grotticelli photos by John CliffordEditorializing
ACE Panel Talks Shop at HD Expo
story and photos by Bill Stetz
EDITOR'S NOTE - Tomm Carroll
GETTING ORGANIZED - Tris Carpenter
POST-PROD PUZZLER - Tiare Widmaier and Myles Mellor
UNION MADE
A Sound Career Decision
by Thomas J. Huth, CASTHIS YEAR IN FILM HISTORY
Prêt-à-PORTER
by Kevin LewisCUT/PRINT
The Unheard Magic
review by Ray ZoneLABOR MATTERS
Picket Fences
Writers Walk, Then Talk
compiled by Jeff BurmanTAIL POP
Alex Cox's REPO MAN (1984)
by Lawrence Maddox