NEWS

CAS AWARDS
February 25, 2006
1. Their re-recording work on Deadwood: A Lie Agreed Upon – Part 1 won R. Russell Smith, CAS, left, and William Freesh the CAS Award for Outstanding Achievement in Sound Mixing for a Television Series.
2. Re-recording mixers Sam Black, CAS, left, and Jim Fitzpatrick, along with dialogue mixer Dan Cubert won the CAS Award for Outstanding Achievement in Sound Mixing for DVD Original Programming for Family Guy Presents: Stewie Griffin – The Untold Story.
3. Re-recording mixer Michael Minkler, CAS, left was presented with the 2006 CAS Career Achievement Award, while director Quentin Tarantino was awarded the CAS 2006 Filmmaker Award.
4. Rick Ash and Adam Jenkins won the CAS Award for Outstanding Achievement in Sound Mixing for Television Movies and Miniseries for Lackawanna Blues.
5. Walk the Line’s re-recording mixers Paul Massey, CAS, left, and D.M. Hemphill, CAS, right, shared the CAS Award for Outstanding Achievement in Sound Mixing for Motion Picture with production mixer Peter F. Kurland, CAS.

BRITISH ACADEMY OF FILM AND TELEVISION AWARDS (BAFTA)
February 19, 2006
1. Donald Sylvester, left, Peter F. Kurland, CAS; Paul Massey, CAS; and D. M. Hemphill, CAS won their BAFTA Awards for Sound for Walk the Line.
2. Claire Simpson won the BAFTA Editing Award for The Constant Gardener.

MOTION PICTURE SOUND EDITORS GOLDEN REEL AWARDS
March 4, 2006
1. Music editor Jamie Lowry and Roy Prendergast received the Golden Reel Award for Best Sound Editing in Feature Film: Music for Casanova.
2. Rick Steele, left, G. Michael Graham, MPSE (supervisor), and Sean Byrne won the Golden Reel Award for Best Sound Editing in Television: Short Form – Sound Effects and Foley for Into the West.
3. Else Blangsted, MPSE, was presented the Motion Picture Sound Editors Career Achievement Award.
4. The dialogue/ADR editorial crew from Memoirs of a Geisha—Julie Feiner, Linda Folk, Renée Tondelli (Supervisor), Michelle Pazer, Michael Hertlein, MPSE, and Laura Harris, MPSE—won for Best Sound Editing in Feature Film: Sound Effects and Foley.
5. Music editor Annette Kudrak’s work on American Masters: No Direction Home – Bob Dylan won her the Golden Reel for Best Sound Editing in Television: Long Form – Music.
6. Winner of the Golden Reel Award for Best Sound Editing in Feature Film: Dialogue and Automated Dialogue Replacement was the music editorial crew from Walk The Line, from left, Terry Delsing, Bunny K. Andrews, Mark Jan “Vordo” Wlodarkiewicz (supervisor) and Frank Wolf.
7. Patrick Hogan, left, Bob Newlan, Stan Jones and Doug Lackey won the Golden Reel Award for Best Sound Editing in Television: Long Form – Dialogue and Automated Dialogue Replacement for Family Guy: Blind Ambition.
8. The Best Sound Editing in Television: Short Form – Music Award went to music editor Robert C. Cotnoir for Medium: The Song Remains the Same.
9. Piero Mura, left, Aaron Glasscock, Hamilton Sterling, Richard King (supervisor), Christopher Flick, Mark Pappas and Gary Hecker won for Best Sound Editing in Feature Film: Sound Effects and Foley for War of the Worlds.

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