TABLE OF CONTENTS

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EDITORS GUILD MAGAZINE
September-October 2005 : Volume 26, Number 4

FEATURES

Spike Lee's Inside Man: Barry Alexander Brown Has Been Editing for the Director Since His Debut Feature
by Kevin Lewis

School Daze: Leander Sales Graduates from Cutting Room to Classroom
by Kevin Lewis

Method Man: Jay Rabinowitz Finds that the Film Tells Him How to Edit It
by Rob Feld

Stranger Than Paradox: The Unusual Filmmaking Practices of Jim Jarmusch
by Rob Feld

The Fine Print: Whether You Work Low-Budget or Indie, You Need the Correct Contract
by Catherine Cusimano and Annie Ballard

COVER STORY

Funny Lady: Anita Brandt Burgoyne Cuts to the Punchline by Angela Barton

Post Modern Romance: Albert Brooks Not Only Played an Editor, He Loves the Process
by Angela Barton

Sounds Independent: New York Mixers, Editors and Supers Rise to the Occasion to Work with Emerging Filmmakers
by Michael Kunkes

The Power & the Story: Indie or Not, the Screenplay's the Thing for Story Analysts
by Michael Kunkes

Color Me Corrected: 3cP Program Offers a Unified Image Control Standard from Production to Post
by Michael Kunkes

TECH TIPS

Color My World: Methods for Gauging Hues Accurately
by Bill Stetz

Create Your Own 3-D Universe: Virtual Scene Building with After Effects 5
by Ben Bardens

NEWS

Aloha, IA: 65th International Convention Held in Hawaii
by Jeffrey Burman

Siggraph 05: The Future Ain't What It Used to Be
by Michael Kunkes

Revenge of the EditRoid?: George Lucas Talks Digital Cinema
by Michael Kunkes

DEPARTMENTS

CONTRACTUAL OBLIGATIONS - Cathy Repola

EDITOR'S NOTE - Tomm Carroll

NOR'EASTER - Maddy Shirazi

GETTING ORGANIZED - Tris Carpenter

SHORT ENDS

DEAR EDITOR

PASSAGES

NEW SIGNATORIES

COLUMNS

CUT/PRINT
QuickTime for Filmmakers and A New History of Documentary Film reviewed by Ray Zone

LABOR MATTERS
Labor Pains by Jeff Burman

TAIL POP
An appreciation of Cat Ballou by Pam Malouf

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