FEATURES

The cutting room at Vitagraph Studio, circa 1916. Historic photos courtesy of Marc Wanamaker / Bison Archives

Nitris Alleviates Pain of HD Finishing for Assistant Editors
by Ranier Standke

Spottingnotes: Film Music Management Goes Online
by Michael Kunkes

COVER STORY:
Post-Production Keeps 24 Ticking Like Clockwork
Stories by Kevin Lewis

Editors Finally Get Their Close-Up: Alan Heim on The Cutting Edge
by Tomm Carroll

Creating a Monster in the Cutting Room:
David Zieff Strives for Honesty in Metallica Doc
by Rob Feld

Thanks for the Rememories: Editing a Lifetime of Footage in The Final Cut
A conversation with Dede Allen, ACE; Robert Brakey and Omar Naïm