EDITORS GUILD MAGAZINE
November-December 2005 : Volume 26, Number 6
The Day the Industry Stood Still—September 14, 2005:
Remembering Robert Wise
Wise, Beyond His Years: A Life's Hard Work
by Selise EisemanAn Editor's Director—Nonpareil
by Thomas StanfordHollywood's Renaissance Man
by Jack Tucker, ACE
Post Codes from the Edge:Canadian Doc Celebrates Art of Editing
by Kevin LewisWhen Movies Learned to Talk: A Brief History of Sound in Early Motion Pictures
by Michael KunkesStick It In Your Ear: A Sound Editor Auditions Canalphones
by Michael Hertlein, MPSEThe E-Ring: A Roundtable of TV Editors Discuss the Realities of the New Fall Season
by Debra kaufmanNew Canned Music: Production Libraries for TV Are Now Calling the Tune
by Michael KunkesEditing for Entertainment Value: Geof Bartz Brings Audiences Inside HBO's Documentaries
by Megan CunninghamDeconstructing Harry: Editor Mick Audsley and a Host of Effects Houses Unlock the Chamber of Secrets Behind Goblet of Fire
by Robin Rowe
Beautiful Streamers: Automatic Wipes Aid ADR Cues
by R.J. KizerInvigorating 3-D Titles: New Plug-In Increases After Effects' Compositing Capabilities
by Ben Bardens
The Editor as Teacher: Tina Hirsch Addresses the UFVA
by Betsy A. McLaneShowdown on Sunset: Final Cut Pro 5 Gets Avid's Adrenaline Running
by Bill StetzAvid Does the Math: 23.976 vs. 24 fps for NLE
by Bill StetzCutting Remarks: Out of the Editing Room and onto the Academy's Stage
by Michael Kunkes
EXECUTIVE DIRECTOR'S REPORT - Ron Kutak
EDITOR'S NOTE - Tomm Carroll
NOR'EASTER - Martin Levenstein
GETTING ORGANIZED - Tris Carpenter
UNION MADE
by Jim Page
CUT/PRINT
Annual Gift Guide reviews by Ray Zone
LABOR MATTERS
Deny Schwarzenegger by Jeff BurmanMAGGIE'S CORNER
by Maggie OstroffTAIL POP
Rio Bravo by Calvin Yocum