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VICE post-production workers voted overwhelmingly to ratify a new union contract that makes dramatic strides on pay, overtime, and job security. The deal also breaks new ground with contractual language on gender identity. #PostProud 
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Guild and labor news, technology tips, member interviews and feature stories about all things post production.

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CineMontage Magazine has a lineage of almost 40 years as the Journal of the Motion Picture Editors Guild, publishing stories about its members working in the many crafts of the post-production industry.

CineMontage is mailed quarterly to over 10,000 members, both active and retired, as well as to film schools and post-production facilities in the entertainment industry.


Where are you currently employed?

I currently work as a metadata analyst for Sony Pictures Content Licensing.


Describe Your Job.

As a metadata analyst, it is my job to curate the metadata around Sony’s stock footage, film catalog and internal databases to make our content more discoverable for reuse. This means that I get to work on a lot of different projects that are always changing.

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