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03/29 "Rush Street Cafe" (MPEG Mixer)
04/08 ProTools Tips & Shortcuts Workshop
04/09 Avid Lunch & Learn - Find Out What's New in Avid 8.8
04/12 MPEG Screening "Ghost in the Shell"
LILLIAN BENSON TO BE HONORED WITH GUILD'S FELLOWSHIP AND SERVICE AWARD

The Motion Picture Editors Guild (MPEG), Local 700 IATSE, will honor member Lillian E. Benson, ACE, with its prestigious Fellowship and Service Award on Saturday, April 8, 2017 at a dinner at the Sheraton Universal Hotel. The Fellowship and Service Award was established 10 years ago by the Guild’s Board of Directors to recognize an individual who embodies the values the Guild holds most dear: Professionalism, Collaboration, Mentorship, Generosity of Spirit and a Commitment to the Labor Movement.

Click here to view all Guild articles.
ACADEMY ARRIVAL: OSCAR-NOMINATED EDITORS

Early Saturday morning, February 25, the line stretched around the block from the American Cinematheque’s Egyptian Theatre to attend the 17th Annual Invisible Art/Visible Artists program presented by the American Cinema Editors (ACE). Once again, on the day before the Academy Awards ceremony, the capacity audience of largely post-production personnel and students had come to listen to this year’s Oscar-nominated editors discuss their films and the art of editing. Pictured is John Gilbert, ACE, who won the Oscar for Best Editing the following evening for 'Hacksaw Ridge.'

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JULIA WONG GETS 'THE LAST WORD'

As the new comedy 'The Last Word' premiered at the Sundance Film Festival January 24, editor Julia Wong, ACE, was recalling to CineMontage what a great experience she had cutting the movie. “Director Mark Pellington was a great collaborator and so much fun to work with,” she says. “We hit it off right away.” The film opened domestically March 3 through Bleecker Street Media.

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IN SEARCH OF THE PERFECT TAKE: JESSE DODD

ADR/Foley mixer Jesse Dodd, CAS, MPSE, never doubted that her career would be in show biz. “When I was a kid, I knew that I wanted to work in the TV and film industry,” she emphasizes with a steely look. “There was never a doubt, although my mom wanted me to be a lawyer! When I was five or maybe six, I sent a letter to Carol Burnett about my dream of being part of the entertainment industry. I was surprised when she wrote back.”

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Q1-2017
 
Editors Guild

WGA Negotiators Call for Strike-Authorization Vote
Negotiations with the AMPTP on a new three-year film and TV contract began March 13 in an atmosphere some described as “tense,” while others called it “cordial.” The current contract expires May 1, so there is time to make a deal.


‘Midnight Rider’s Film Allman Loses Third Appeal Over Safety Violations

The Workers Who Make Broadway Hum Deserve a Standing Ovation

Handel: Did the Writers Guild Sandbag the Studios with Short Talks?


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Trump’s Path Forward Only Gets Tougher After Health-Care Fiasco
The stunning collapse of the Republican health-care bill now imperils the rest of President Trump’s ambitious congressional agenda, with few prospects for quick victory on tax revisions, construction projects or a host of other issues in the months ahead despite complete GOP control of government.


AFL-CIO Ready to Sue If Trump Waters Down Overtime Regulations

Senators Call for Pay Equity for US Women's Hockey Team

Downie: 'Yes, Democrats Should Filibuster Gorsuch. His Record Shows Why.'


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ETHAN STOLLER
MUSIC EDITOR
"In post-production, I conform the music to any picture changes. I choose some of the source cues, and I craft transitions (and sometimes marriages) between them and the score. On the mix stage, I deliver the full music Pro Tools session to the re-recording mixer, and then serve as an ambassador for the music."

Click here to read about one of our Union members…
Click here to learn about what post production is, and the important role our members play in making your favorite movies and TV shows.


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