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Los Angeles
06/04 Meet the Artists
06/09 MPEG Board of Directors Meeting
06/15 "Finding Dory" (MPEG Screening)
07/09 MPEG Board of Directors Meeting
New York
06/04 Improving Difficult Temp Composites in Avid.
06/15 Finding Dory (MPEG Screening)
06/18 "Production Sound - The importance of Dialogue editing in narrative film Hands-on training using Pro Tools"
06/25 Individual Deal Memo
REPOLA TO SUCCEED KUTAK AS NATIONAL EXECUTIVE DIRECTOR

Catherine A. Repola, longtime Western Executive Director of the Motion Picture Editors Guild, IATSE Local 700 (MPEG), has been promoted to the top position of National Executive Director of the Guild by the MPEG Board of Directors.

Click here to view all Guild articles.
MPSE OFFERS SOUND ADVICE FOR EDITORS AND MIXERS

Sound editorial and re-recording is a highly collaborative process — multiple editors and sound designers work to deliver finely crafted tracks to the TV/film stage, where they will be combined under the capable hands of the dubbing mixers. Given that each element will be touched by multiple hands, it is perhaps surprising that we need to rely on antiquated, one-to-one file-transfer mechanisms. In reaction, Avid Technology has been working diligently behind the scenes to develop a network-based environment in which editors and mixers can now exchange work-in-progress material while shaping a final soundtrack that requires complementary perspectives.

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CSATTF TRAINING REIMBURSEMENT PROGRAM 2016/2017

Contract Services Administration Training Trust Fund (CSATTF) has approved a new budget for 2016/2017 Skills Training. Click on link below for more info.

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GEORGE ANDERSON JOINS SONY PICTURES POST

Veteran Supervising Sound Editor and Sound Designer George H. Anderson has joined Sony Pictures Post Production Services. Anderson brings a deep and varied resume in sound with more than 75 credits in film and television. He has completed several recent projects at Sony Pictures, including 'Popstar: Never Stop Never Stopping,' 'Pee-wee’s Big Holiday' and 'Trainwreck.'

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Q2-2016
 

Cannes: Ken Loach Wins His Second Palme d’Or for ‘I, Daniel Blake’
The final awards ceremony of the 69th Cannes Film Festival has concluded, with veteran British filmmaker Ken Loach winning the second Palme d’Or of his career for the impassioned protest drama “I, Daniel Blake.”


Catherine Repola Confirmed to Succeed Ron Kutak as Editor’s Guild Executive Director

Longtime Editors Guild Head Ron Kutak to Retire

SAG-AFTRA Files Unfair Labor Charges Against Ad Giant Grey Global


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Verizon Reaches Tentative Deal with Unions to End Strike
The deal is a retreat by Verizon on some of the major points of contention, including proposals for pension cuts and for greater flexibility to outsource work and transfer employees to different geographic areas. “This contract is a victory for working families across the country and an affirmation of the power of working people,” said Chris Shelton, president of the Communications Workers of America in a statement.


'Meet the Press:' Sanders Calls for Attention to the Issues

Court: Companies Can't Impose Illegal Arbitration Clauses

Foxconn to Build iPhones with Robots


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ANASTASSIOS (TASS) FILIPOS
MUSIC EDITOR:
"A music editor may be asked to create a temporary music score for the film, which must blend with the style of the story. Among other things, a temp score is necessary so a pre-release screening audience can view the film with all of its elements present — dialogue, sound effects and music."

Click here to read about one of our Union members…
Click here to learn about what post production is, and the important role our members play in making your favorite movies and TV shows.


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