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Los Angeles
03/29 "Rush Street Cafe" (MPEG Mixer)
New York
03/25 Premiere Pro: Ingest to Output - Session 1
03/25 Premiere Pro: Ingest to Output - Session 2
03/26 Premiere Pro: Ingest to Output - Session 1
LILLIAN BENSON TO BE HONORED WITH GUILD'S FELLOWSHIP AND SERVICE AWARD

The Motion Picture Editors Guild (MPEG), Local 700 IATSE, will honor member Lillian E. Benson, ACE, with its prestigious Fellowship and Service Award on Saturday, April 8, 2017 at a dinner at the Sheraton Universal Hotel. The Fellowship and Service Award was established 10 years ago by the Guild’s Board of Directors to recognize an individual who embodies the values the Guild holds most dear: Professionalism, Collaboration, Mentorship, Generosity of Spirit and a Commitment to the Labor Movement.

Click here to view all Guild articles.
ACADEMY ARRIVAL: OSCAR-NOMINATED EDITORS

Early Saturday morning, February 25, the line stretched around the block from the American Cinematheque’s Egyptian Theatre to attend the 17th Annual Invisible Art/Visible Artists program presented by the American Cinema Editors (ACE). Once again, on the day before the Academy Awards ceremony, the capacity audience of largely post-production personnel and students had come to listen to this year’s Oscar-nominated editors discuss their films and the art of editing. Pictured is John Gilbert, ACE, who won the Oscar for Best Editing the following evening for 'Hacksaw Ridge.'

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JULIA WONG GETS 'THE LAST WORD'

As the new comedy 'The Last Word' premiered at the Sundance Film Festival January 24, editor Julia Wong, ACE, was recalling to CineMontage what a great experience she had cutting the movie. “Director Mark Pellington was a great collaborator and so much fun to work with,” she says. “We hit it off right away.” The film opened domestically March 3 through Bleecker Street Media.

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IN SEARCH OF THE PERFECT TAKE: JESSE DODD

ADR/Foley mixer Jesse Dodd, CAS, MPSE, never doubted that her career would be in show biz. “When I was a kid, I knew that I wanted to work in the TV and film industry,” she emphasizes with a steely look. “There was never a doubt, although my mom wanted me to be a lawyer! When I was five or maybe six, I sent a letter to Carol Burnett about my dream of being part of the entertainment industry. I was surprised when she wrote back.”

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Q1-2017
 
Editors Guild

'Progress Being Made' at WGA Contract Talks
After a week of hard bargaining, a source close to the ongoing WGA contract talks told Deadline that “there is progress being made and it’s very cordial.” The negotiations, which began Monday, are being held under a strict media blackout at the Sherman Oaks offices of management’s Alliance of Motion Picture and Television Producers.


‘Midnight Rider’s Film Allman Loses Third Appeal Over Safety Violations

Telemundo Actors Vote Overwhelmingly to Join SAG-AFTRA

California Pols Introduce Bill to Boost Funding for Hollywood Job-Training Programs


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Democrats Press Gorsuch on His Independence from Trump
Democratic senators pressed Judge Neil Gorsuch Wednesday to explain his views on issues such as the Constitution’s “emoluments clause” and the notion of “high crimes and misdemeanors,” questions designed to more aggressively probe his independence from President Trump.


Senate Panel to Weigh Law School Dean Acosta for Labor Secretary

Women's Players Call Negotiations with USA Hockey Productive

Singletary: Trump to Struggling Seniors: You’ll Be On Your Own


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ETHAN STOLLER
MUSIC EDITOR
"In post-production, I conform the music to any picture changes. I choose some of the source cues, and I craft transitions (and sometimes marriages) between them and the score. On the mix stage, I deliver the full music Pro Tools session to the re-recording mixer, and then serve as an ambassador for the music."

Click here to read about one of our Union members…
Click here to learn about what post production is, and the important role our members play in making your favorite movies and TV shows.


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