Instructor: Coll Anderson - sound editor on "Noah”, “Zoolander 2","My Friend Dahmer", "Christine","Desert Cathedral" and "Chasing the Moon."
Saturday, November 3, 2018 - Session 1: 10:00 AM - 5:00 PM
Sunday, November 4, 2018 - Session 2: 10:00 AM - 5:00 PM
This is a workshop with an hour break on each day
Fee: $40.00
This seminar is open for 10 active members. Members should have a working knowledge of Pro-Tools. This is for picture editors’ assistants and for sound department assistants who want to learn more about cutting dialogue.
Location: MPEG Office, 145 Hudson Street, Suite 201, New York, NY 10013
COURSE DESCRIPTION
We will be taking several scenes from OMF / AAF delivery through the dialogue edit to prepping for mixing. We will cover the topic in depth with hands on work. You will spend the majority of class cutting dialogue in pro-tools and prepping that material for pre-mixing. This will include prepping your sessions, to presentation methods and if there is time some aspects of current noise reduction methods.
OUTLINE
1. Production Sound
2. Sound with picture
3. OMF and the turnover from the picture department to the sound department
4. Setting up the dialogue editors universe
5. Editing dialogue tracks
6. Perspective
7. Dealing with noise
8. ADR
9. Prepairing for the pre-mix
10. Backing up
BIO
Coll Anderson has been working with sound for 24 years. His work includes recording, editing, designing and mixing, and spans indie art house classics to award-winning documentaries and features. From Steve Buscemi’s acclaimed “Trees Lounge” or Sean Durkin’s “Martha Marcy May Marlene” to Errol Morris’ Oscar winning “The Fog of War” and Sundance Grand Jury Prize winners “Frat House”, “Manda Balla” and “Restropo”. Coll has helped to sharpen the focus and story of films with the creative use of sound. “Sound is an object’s other shadow: it adds weight, palpability and velocity. It is vision’s sublime partner in defining mass and time”
RSVP
Please contact Muneeb Hassan at mhassan@editorsguild.com