Nationwide
Demystifying Post-Production: Color Correc... Monday November 30, 2020 9:00 AM - 10:00 AM (Pacific Time) 12:00 PM - 1:00 PM (Eastern Time) Training/Technology
What's New in DaVinci Resolve 17 Online Se... Tuesday December 01, 2020 Training/Technology
Field Reps
LOS ANGELES
Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com
Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com
Eric Kench (323) 978.1079 ekench@editorsguild.com
Alenis Leon (323) 978.1072 aleon@editorsguild.com
Jessica Pratt (323) 978-1075 jpratt@editorsguild.com
NEW YORK
Jennifer Madar (212) 302-0700, Ext. 204 jmadar@editorsguild.com
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Join the organization that has been securing wages, benefits and safe working conditions for the Post Production community for over 75 years!
CORONAVIRUS UPDATES Information | Mental Health Resources | FAQs | Volunteer Opportunities
(in-person lobby services are temporarily suspended)
The 2021 Board of Director and Convention Delegate ballots were mailed Thursday, November 12, 2020. If you do not receive your election packet within a timely manner, please contact Lisa Dosch, 323.978.1074 or elections@editorsguild.com.
The deadline to request a replacement ballot is 12:00 p.m. (PST) on Thursday, December 3, 2020.
Return ballots must be received via U.S. Mail at the designated Post Office Box by 9:00 AM (PST) Thursday, December 10, 2020. Campaign statements can be viewed at editorsguild.com/vote (login required)
Post-Coast-to-Coast Sustaining Local 700 membership engagement and broadening education.
Whats-New?
Guild and labor news, technology tips, member interviews and feature stories about all things post production.
CineMontage Magazine has a lineage of almost 40 years as the Journal of the Motion Picture Editors Guild, publishing stories about its members working in the many crafts of the post-production industry.
CineMontage is mailed quarterly to over 10,000 members, both active and retired, as well as to film schools and post-production facilities in the entertainment industry.
Where are you currently employed?
Freelance.
Current projects?
I’m additional editing on Netflix’s “Fear Street” film trilogy.
Describe your job.
33% craftsman, 33% politician, 33% psychologist, 1% magician.
How did you first become interested in this line of work?
I...