Los Angeles
How I Landed My Dream Job Editing Cobra Ka... Saturday October 24, 2020 9:30 AM - 12:00 PM Educational
Nationwide
Adobe MAX The Creativity Conference Tuesday October 20, 2020 Training/Technology
Workshop: Assistant Editing from Middle to... Wednesday October 21, 2020 1:00 PM - 4:00 PM (Pacific Time) 4:00 PM - 7:00 PM (Eastern Time) Training/Technology
Field Reps
LOS ANGELES
Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com
Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com
Eric Kench (323) 978.1079 ekench@editorsguild.com
Alenis Leon (323) 978.1072 aleon@editorsguild.com
Jessica Pratt (323) 978-1075 jpratt@editorsguild.com
NEW YORK
Jennifer Madar (212) 302-0700, Ext. 204 jmadar@editorsguild.com
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CineMontage Magazine has a lineage of almost 40 years as the Journal of the Motion Picture Editors Guild, publishing stories about its members working in the many crafts of the post-production industry.
CineMontage is mailed quarterly to over 10,000 members, both active and retired, as well as to film schools and post-production facilities in the entertainment industry.
Where are you currently employed?
Currently working from home for Netflix.
Current projects?
“Yes Day” directed by Miguel Arteta, edited by Jay Deuby.
Describe your job.
As an assistant editor, my job is to help prepare the dailies during production for my editor. After I receive them from the post production facility, I feed them into the AVID and...