Los Angeles
Rush Street Cafe Mixer Wednesday November 28, 2018 7:00 PM - 9:30 PM Social/Networking
Field Reps
LOS ANGELES
Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com
Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com
Jacky Olitsky (323) 978-1072 jolitsky@editorsguild.com
Jessica Pratt (323) 978-1075 jpratt@editorsguild.com
NEW YORK
Jennifer Madar (212) 302-0700, Ext. 204 jmadar@editorsguild.com
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Join the organization that has been securing wages, benefits and safe working conditions for the Post Production community for over 75 years!
VICE post-production workers voted overwhelmingly to ratify a new union contract that makes dramatic strides on pay, overtime, and job security. The deal also breaks new ground with contractual language on gender identity. #PostProud Read more CineMontage: http://bit.ly/Vice_Ratify
Guild and labor news, technology tips, member interviews and feature stories about all things post production.
CineMontage Magazine has a lineage of almost 40 years as the Journal of the Motion Picture Editors Guild, publishing stories about its members working in the many crafts of the post-production industry.
CineMontage is mailed quarterly to over 10,000 members, both active and retired, as well as to film schools and post-production facilities in the entertainment industry.
Where are you currently employed?
I currently work as a metadata analyst for Sony Pictures Content Licensing.
Describe Your Job.
As a metadata analyst, it is my job to curate the metadata around Sony’s stock footage, film catalog and internal databases to make our content more discoverable for reuse. This means that I get to work on a lot of different projects that are always changing.