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    Winter 2015
Volume 4, Number 1
November-December 2014
Volume 3, Number 6
  September-October 2014
Volume 3, Number 5
  July-August 2014
Volume 3, Number 4

May-June 2014
Volume 3, Number 3




 The opinions expressed in this publication do not necessarily represent the official policy of the Editors Guild. 



Motion Picture Sound Editors
Golden Reel Awards

Photos by Linda Treydte/Tilt Photo
February 20, 2010

 1. Best Sound Editing: Long Form Sound Effects and Foley in Television (tie):
Luis Galdames, left, Bradley North, Michael Lyle, Matthew Mondrick, Paul Stevenson and Craig Rosevear

House M.D., “Epic Fail”
 2. Best Sound Editing: Dialogue and ADR in a Feature Film;
Margit Pfeiffer

Inglourious Basterds

3. Best Sound Editing: Direct to Video:
Stan Jones, left, Doug Lackey, Bob Newlan and Brian Nichols

Something, Something, Something, Darkside


 4. Best Sound Editing: Long Form Music in Television:
Michael Dittrick, left, and Ben Zales

5. Best Sound Editing: Short Form Dialogue and ADR in Television:
Jason Krane, left, John Benson and Christian Buenaventura

True Blood, “Beyond Here Lies Nothin’”

6. Best Sound Editing: Music in a Feature Film:
Michael Bauer, left, Jim Henrikson and Dick Bernstein
7. MPSE Career Achievement Award Winner:
Larry Singer with MPSE President Bobbi Banks


 8. Best Sound Editing: Short Form Music in Television:
David Klotz

Glee, “Pilot”
9. Best Sound Editing: Sound Effects, Foley, Music, Dialogue and ADR in a Feature Film Animation:
Dustin Cawood, left, Pacal Garneau, Tom Myers and Stephen M. Davis

10. Best Sound Editing: Music in a Musical Feature Film:
Scott Stambler, left, and Ryan Rubin

This Is It
11. Best Sound Editing: Long Form Sound Effects and Foley in Television (tie):
Richard Partlow
Battlestar Galactica “Daybreak, Part 2”


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