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SEMINAR: Assistant Editing Workflows in A... Saturday December 10, 2022 10:00 AM - 12:00 PM (Pacific Time) 1:00 PM - 3:00 PM (Eastern Time) Training/Technology
"Everything Everywhere All at Once" Virtua... Sunday December 11, 2022 10:00 AM - 11:00 AM (Pacific Time) 1:00 PM - 2:00 PM (Eastern Time) Screening
Field Reps
LOS ANGELES
Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com
Amarilis Gutierrez (323) 978-1096 agutierrez@editorsguild.com Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com
Eric Kench (323) 978.1079 ekench@editorsguild.com
Alenis Leon (323) 978.1072 aleon@editorsguild.com
NEW YORK
Jennifer Myers (212) 302-0700 jmyers@editorsguild.com
GEORGIA
Brian Johnson (404) 361-5677 bjohnson@editorsguild.com
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Guild and labor news, technology tips, member interviews and feature stories about all things post production. Please visit CineMontage.org. CineMontage Magazine has a lineage of almost 40 years as the Journal of the Motion Picture Editors Guild, publishing stories about its members working in the many crafts of the post-production industry. CineMontage is mailed quarterly to over 10,000 members, both active and retired, as well as to film schools and post-production facilities in the entertainment industry.
Q: Current projects? I’m working freelance, editing two episodes on a non-union television show called “Snap.” It’s a psychological thriller anthology series for AMC/ALLBLK network and Swirl Films. Prior to this, I wrapped up being a first assistant editor on “End of the Road,” an action-thriller movie for Netflix starring Queen Latifah and Ludacris.
Q: Describe your job. First and f...